Dutch, 1865-1934 Son of Jozef Israëls. He was largely self-taught, showing precocious talent and attending the Academie in The Hague in 1878-80. His first paintings date from 1880-84 and include a self-portrait, portraits of women and military subjects such as Bugle Practice. They were composed in the studio in a precise style, soft grey and brown tones predominating, showing the influence of the Hague school. In 1887 Israels moved to Amsterdam, where he was at the centre of the Tachtigers of writers and painters. Among his friends were George Hendrik Breitner, Lodewijk van Dyssel, Frans Erens, Max Liebermann, Jan Pieter Veth and Jan Voerman. In Amsterdam, after a brief and abortive period at the Rijksacademie, he sought a more fluent technique with which to record contemporary life. His drawings and watercolours are predominantly of cafes, cabarets, dance halls and the street life of Amsterdam. In 1889 he visited Paris, where he met St phane Mallarm, Berthe Morisot, Odilon Redon and Emile Zola. In 1894 he painted Three Servant Girls, the first of his plein-air pictures. From then on he applied transparent colours to capture the fleeting effects of light in oil, watercolour and pastel. His oils were painted in flat broad strokes. For the rest of his life he employed his very personal Impressionist style, which emphasized the interplay of light, colour, line and movement. His favourite subjects were beach, street and park scenes   Related Paintings of Isaac Israels :. | Amsterdam Serving Girls on the Gracht (nn02) | Two models | Woman before | Woman before | Two models, Epi and Gertie, in the Amsterdam Fashion House Hirsch |
Related Artists:
Abraham Hondius
(1625 - 1691) was a Dutch Golden Age painter known his depictions of animals. He was the son of a city stonemason, Daniel Abramsz de Hondt. Hondius was born in Rotterdam and trained under Pieter de Bloot ( 1601 - 1658) and Cornelis Saftleven.He lived in Rotterdam until 1659 and moved then to Amsterdam. He moved to London] in 1666, where he spent the rest of his life. Hondius combined throughout his career several stylistic influences and struggled to develop a style of his own. He however specialised somehow in animal pieces: more than two-thirds of his paintings, etchings and drawings are hunting scenes, animals fighting and animal studies. He also executed landscapes, genre and religious scenes. Hondius most likely moved to London] (where he later died) in 1666 where he spent the rest of his life. He painted views of London such as The Frost Fair on the Thames at Temple Stairs and London Bridge. His last known work is "Ape and Cat Fighting over Dead Poultry," dated 1690.
Grant Wood
1891-1942 Grant Wood Locations His family moved to Cedar Rapids after his father died in 1901. Soon thereafter he began as an apprentice in a local metal shop. After graduating from Washington High School (Cedar Rapids, Iowa) , Wood enrolled in an art school in Minneapolis in 1910, and returned a year later to teach in a one-room schoolhouse. In 1913 he enrolled at the School of the Art Institute of Chicago and did some work as a silversmith. From 1920 to 1928 he made four trips to Europe, where he studied many styles of painting, especially impressionism and post-impressionism. But it was the work of Jan Van Eyck that influenced him to take on the clarity of this new technique and to incorporate it in his new works. From 1924 to 1935 Wood lived in the loft of a carriage house that he turned into his personal studio at "5 Turner Alley" (the studio had no address until Wood made one up himself). In 1932, Wood helped found the Stone City Art Colony near his hometown to help artists get through the Great Depression. He became a great proponent of regionalism in the arts, lecturing throughout the country on the topic. Wood taught painting at the University of Iowa's School of Art beginning in 1934. During that time, he supervised mural painting projects, mentored students, produced a variety of his own works, and became a key part of the University's cultural community. On February 12, 1942, one day before his 51st birthday, Wood died at the university hospital of liver cancer. When Wood died, his estate went to his sister, Nan Wood Graham, the woman portrayed in American Gothic. When she died in 1990, her estate, along with Wood's personal effects and various works of art, became the property of the Figge Art Museum in Davenport, Iowa. Wood was an active painter from an extremely young age until his death, and although he is best known for his paintings, he worked in a large number of media, including ink, charcoal, ceramics, metal, wood and found objects. Throughout his life he hired out his talents to many Iowa-based businesses as a steady source of income. This included painting advertisements, sketching rooms of a mortuary house for promotional flyers and, in one case, designing the corn-themed decor (including chandelier) for the dining room of a hotel. In addition, his 1928 trip to Munich was to oversee the making of the stained-glass windows he had designed for a Veterans Memorial Building in Cedar Rapids. He again returned to Cedar Rapids to teach Junior High students after serving in the army as a camouflage painter.
Worthington Whittredge
1820-1910 Thomas Worthington Whittredge (May 22, 1820 - February 25, 1910) was an American artist of the Hudson River School. Whittredge was a highly regarded artist of his time, and was friends with several leading Hudson River School artists including Albert Bierstadt and Sanford Robinson Gifford. He traveled widely and excelled at landscape painting, many examples of which are now in major museums. He served as president of the National Academy of Design from 1874 to 1875 and was a member of the selection committees for the 1876 Philadelphia Centennial Exposition and the 1878 Paris Exposition, both important venues for artists of the day. Whittredge was born in a log cabin near Springfield, Ohio in 1820. He painted landscapes and portraits as a young man in Cincinnati before traveling to Europe in 1849 to further his artistic training. Arriving in Germany he settled at the Dusseldorf Academy, a major art school of the period, and studied with Emanuel Leutze. At Dusseldorf, Whittredge befriended Bierstadt and posed for Leutze as both George Washington and a steersman in Leutze??s famous painting ??Washington Crossing the Delaware??, now in the collection of the Metropolitan Museum of Art in New York City. Whittredge spent nearly ten years in Europe, meeting and travelling with other important artists including Sanford Gifford. He returned to the United States in 1859 and settled in New York City where he launched his career as a landscape artist painting in the Hudson River School style. Whittredge journeyed across the Great Plains to the Rocky Mountains in 1865 with Sanford Gifford and John Frederick Kensett. The trip resulted in some of Whittredge??s most important works??unusually oblong, spare landscapes that captured the stark beauty and linear horizon of the Plains. Whittredge later wrote in his autobiography, ??I had never seen the plains or anything like them. They impressed me deeply. I cared more for them than for the mountains... Whoever crossed the plains at that period, not withstanding its herds of buffalo and flocks of antelope, its wild horses, deer and fleet rabbits, could hardly fail to be impressed with its vastness and silence and the appearance everywhere of an innocent, primitive existence." Whittredge moved to Summit, New Jersey, in 1880 where he continued to paint for the rest of his life. He died in 1910 at the age of 89 and is buried in the Springfield, New Jersey cemetery. Whittredge's paintings are now in the collections of numerous museums, including the Metropolitan Museum of Art in New York City and the Smithsonian American Art Museum in Washington, DC.